{"id":3224,"date":"2021-06-03T23:59:39","date_gmt":"2021-06-04T03:59:39","guid":{"rendered":"http:\/\/www.bloomingtonsymphony.com\/?p=3224"},"modified":"2021-06-03T23:59:39","modified_gmt":"2021-06-04T03:59:39","slug":"the-devils-in-the-details","status":"publish","type":"post","link":"https:\/\/www.bloomingtonsymphony.com\/staging\/6573\/2021\/06\/03\/the-devils-in-the-details\/","title":{"rendered":"The Devil&#8217;s in the Details"},"content":{"rendered":"<p>Why do we yearn to add what we once had to what we\u2019ve got?<br \/>\nWhy do we turn from what we are to what we were when we cannot?<br \/>\nWhy not account our joys twice blessed with each new day begun?<br \/>\nWhy, having some, seek to have it all, then find that we have none?<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" data-attachment-id=\"3225\" data-permalink=\"https:\/\/www.bloomingtonsymphony.com\/staging\/6573\/2021\/06\/03\/the-devils-in-the-details\/soldat\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.bloomingtonsymphony.com\/staging\/6573\/wp-content\/uploads\/2021\/06\/Soldat.jpg?fit=900%2C602&amp;ssl=1\" data-orig-size=\"900,602\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Soldat\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.bloomingtonsymphony.com\/staging\/6573\/wp-content\/uploads\/2021\/06\/Soldat.jpg?fit=900%2C602&amp;ssl=1\" loading=\"lazy\" class=\"alignnone wp-image-3225 size-medium\" src=\"https:\/\/i0.wp.com\/www.bloomingtonsymphony.com\/wp-content\/uploads\/2021\/06\/Soldat-300x201.jpg?resize=300%2C201\" alt=\"\" width=\"300\" height=\"201\" srcset=\"https:\/\/i0.wp.com\/www.bloomingtonsymphony.com\/staging\/6573\/wp-content\/uploads\/2021\/06\/Soldat.jpg?resize=300%2C201&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.bloomingtonsymphony.com\/staging\/6573\/wp-content\/uploads\/2021\/06\/Soldat.jpg?resize=768%2C514&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.bloomingtonsymphony.com\/staging\/6573\/wp-content\/uploads\/2021\/06\/Soldat.jpg?w=900&amp;ssl=1 900w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p>Igor Stravinsky wrote\u00a0<i>L&#8217;Histoire du soldat <\/i>during World War I when he was in exile in Switzerland. Stravinsky had already made a big splash in the musical world with his earlier trio of large-scale ballet works <em>The Firebird, Petrushka, <\/em>and the infamous <em>The Rite of Spring<\/em>, all of which were in collaboration with the famous Ballet Russes in Paris. Because of the composer\u2019s exile and the economic restrictions that accompanied WWI,\u00a0<i>L&#8217;Histoire du soldat<\/i> is a much more modest composition in terms of personnel, but it is a work on par with his other theatrical works and is known as a masterpiece of the early 20th Century avant-garde.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Why do we yearn to add what we once had to what we\u2019ve got? Why do we turn from what we are to what we were when we cannot? Why&hellip;&nbsp;<\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[1],"tags":[],"class_list":["post-3224","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9cNEX-Q0","jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":1968,"url":"https:\/\/www.bloomingtonsymphony.com\/staging\/6573\/2019\/03\/22\/steve-heitzigs-aqua\/","url_meta":{"origin":3224,"position":0},"title":"Steve Heitzig&#8217;s Aqua","author":"Donna Lafferty","date":"March 22, 2019","format":false,"excerpt":"It is the sound, or music if you will, of water that reawakens in us the first chords of our existence. Whether rain, river, lake or ocean, we are drawn to that most ancient of songs \u2014aqua. With sea shells to our ears, we dream ourselves as green turtles and\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":5316,"url":"https:\/\/www.bloomingtonsymphony.com\/staging\/6573\/2025\/05\/12\/ed-greenebaum-bassist-with-the-bso-since-1969\/","url_meta":{"origin":3224,"position":1},"title":"Ed Greenebaum, Bassist with the BSO since 1969","author":"Donna Lafferty","date":"May 12, 2025","format":false,"excerpt":"Transcript of Interview with between Ed Greenebaum and Donna Lafferty, May 2025Donna: First, congratulations on your remarkable tenure with the BSO, Ed. You've been part of the orchestra since when - the first rehearsal in 1969, right?Ed: Early Spring 1969, so I and the orchestra are both 56 years old.Donna:\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1296,"url":"https:\/\/www.bloomingtonsymphony.com\/staging\/6573\/2018\/03\/06\/to-cross-the-face-of-the-moon-meet-cecilia-duarte-mezzo-soprano\/","url_meta":{"origin":3224,"position":2},"title":"To Cross the Face of the Moon &#8211; Meet Cecilia Duarte, Mezzo-Soprano","author":"Donna Lafferty","date":"March 6, 2018","format":false,"excerpt":"We recently interviewed Cecilia about her music, her passions, and what brings her to Bloomington for this Sunday's concert. How did you get started in music? Did you have any early influences, mentors, or teachers that inspired you? I grew up in Chihuahua, Mexico, in a family of musicians. 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